- Fine Art
Loving the soft warmth of unbleached titanium white as it mixes with dioxanine purple. I spent so long caught up in the throes of cadmium yellows and oranges, deep pthalo blues that I missed these soft heavenly tones. Now I find them and they seem to whisper to me through their golden dawn hues… eyes lost in the wings of clouds and curving forehead whispening away on some breeze or wind, hands coming undone and eyes- eyes… The purples and UTW combination is heavenly.
At the same time I found some new music that I am loving, an album called 45:33 by LCD Soundsystem. It’s cheesy, funky, crunchy at times, a little disco-ey… just right… it’s fun and I have fun with what I do. Painting, playing, living, loving… We don’t always need to be in the deep midst of techno or the raging guitars and drums or horns or Oms even- chanting or sitars or holy holies…
Hey- my lavalamp just released some gnarly bit of whitish goo into itself as if ejaculating into the blue currents it floats in. I just turned it on and perhaps the heat has caused it to spasm. It sits on the corner of my desk acting as a bookend to: Zig Zag Zen, Buddhism and Psychedlics; Mid-Course Correction by Ray C. Anderson; The Power of Myth by Joseph Cambell; The Dhamapadda; and three design handbooks: The Design Basics Index, Type Idea Index and Color Index all by James Krause. The first few come in handy for inspiration and those last three come in handy as idea fodder for the design and layout of that inspiration.
Everything I do comes down to design and layout: the structure of these words as they tap up against each other, the layout of the objects upon my desk; the countless postcards of great artworks arranged around the giant Kalachakra Mandala on my wall above my desk and how I want it all to reflect back to me; the dissolving figure on the canvas as he fades into the world around himself and how his shape interacts with the arc that circles below him, the three dozen eyes looking outwards from the sky, the clouds and the desert and the pyramid shapes… it is all information arranged in an intuitive manner leading the viewer to a broader and deeper understanding. If it is done right then the entirety of the image actually suggests something larger. If it is done right, then the image speaks of a greater image; it speaks to a deeper view; it doesn’t just suggest: it yells, shouts, exclaims. It doesn’t just exclaim: IT IS.
Likewise, when it comes to layout, if I make a logo for someone, design a website or a postcard and use the same kind of approach, the same visual intuition to consider: what is this trying to say and how shall we say it? With what shapes or colors? What kind of font… what thickness of line… what mood… I know I don’t belittle myself when I say it is all the same in some ways: paintings, web design, logos, etc: it is the presentation of information to convey an idea or mood and express something deeper than any solitary piece of the image can invoke. We could consider it to be Holographic Painting where every piece of the composition is communicating with every other piece at any given time and, in doing so, is speaking of a greater whole.
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