- Fine Art
- About Me
The thing is, at 3am you’re up and you’re getting something to eat and maybe a drop to drink and you notice: the plane of the wall meets the plane of the ceiling and the busy-ness of the spice rack to the planar composition of the stove top sort of off sets the shifting perspectives and it’s so sublimely perfect that you really just want to go wake everyone up but you know that you and you alone might be the only one to ever have appreciated this corner of reality. Blue to burgundy to beige to gold and you can’t help but want to run to the type writer – the keyboard – the pen and the pencil – and get it down – that inspiration. Maybe you just study the lines and do your best to remember it.
To the casual observer that sounded like a lot of hokey artspeak. But you and I: we are not casual observers.
That’s the thing though. As you go about your life growing into the mindset, the framework, the vision, of being an artist and really living it, you find that you live in this constant aesthetic appreciation of everything around you and you see it everywhere. You live gradations. You feel lines. You breathe curves. When you see a fine version of some archetypal shape, you can’t help but mention it. When you see a fine composition of not so obvious forms you can’t help but admire it. The lines of the situation are juxtapositioning with the lines of the symmetrical metric and it’s all masterfully done…. it’s lovely and you love it.
That’s what it is to be an artist. You can’t help but every so often want to shout from the roof tops about just how beautiful the hue is right now or the color of the sky or the arch of a tree or the crack in the pavement. It’s a hundred million colors and angles all conjoining at once to create this composition so breath-takingly sublime that you wonder just how no one else stops to notice it.
After a while, you realize that everything is aesthetics. When we are talking about the good of the environment, or the health of another, or whatever the vision of the future is: it is that which looks most beautiful to us and satisfies our aesthetic sense in the way that a mathematician might speak of an equation as ‘elegant’. The best solutions often have a clean and elegant quality to them, no matter how complex. The things we find beautiful in nature have a similar quality, regardless of their complexity. Likewise, in our own lives, we seek out things which are beautiful or satisfy our vision thereof.
Cultures have different value systems around beauty and the styles of one group can completely contradict that of another. It’s as true to nations and societies as it is to cliques in high school. Yet. Yet, I feel that there are certain qualities that become truly and transcendentally beautiful. Things which lead to health. Watching someone move with a graceful awareness. Sweet smiles. Happiness. Peace.
As we tune ourselves to this appreciation we might find that, while the big things seem so obvious, the small things become more and more obvious too.
There: in the way that the angle of the wall meets the corner of the room where the buddha sits as a statue of bronze and is all the more pronounced due to the fact of the crown molding and nobody notices – no one pays it much mind – but you.
There: in the way that, while sitting at a stop light, you notice the dogwood tree blooming and it’s branches frame the hillside behind it like some kind of Japanese Zen painting. The blue of the sky to the pink of the flowers to the crisp lines of the branches make you sigh and your heart feels a sweetness.
There: in the rows of houses. There: in the lines of mountains. There: in the cavalcade of color which is the crashing ocean reflecting the sunset.
Love it. Love it. Love it.
I’ve sat in thousands of locations. I’ve been in cars and clubs and cafes and restaurants and dreams and bedrooms and offices and lobbies and alongside street side vendors. I’ve stood in front of urinals and wandered alleyways and knelt beside mossy mountain brooks and circumambulated stupas all white and gold and marveled at archways built to the glory of the heavens and through them all there have been these moments of appreciation of aesthetic quality, this beauty. In the things which have come about without the hand of man it can feel so natural, so sweet, so grand. In the things that we have created: it is one more marker on the road of humans reaching towards the highest expression of their most highest aim. Ground touching sky. Heaven meeting earth. Self and other recognizing the same and in that – in that space – where beauty is as natural as the breeze – It’s such a lovely thing. A most sacred thing.
We have such a strong desire to greet that which is unknowable and to touch that which is untouchable. In our art we can experience a bit of that. In the art of others, we hope to taste a little of what they have tasted. In the styles and forms that are given to us as popular and cool: we might even see it there as well.
Pay attention to the corners as much as the spotlights. Appreciate the alleyways, marvel at the pattern in the tree bark, marvel at the highway overpass.
Marvel at the beauty of your own dark demons.
Love it all.
I’m so looking forward to this. It’s sort of a newish thing for me, as you may know, to be teaching painting and such. After 15 years of working on my process – translating visions to canvas, formless ideas into forms and paying attention to the creative steps that it takes to make it happen – I have felt ready to share this process in order to help others on their creative paths. I’ve had people ask me for years about whether or not I teach and have had friends nudge me in that direction. It’s only recently that I’ve felt ready to start sharing that. If you wish you could have joined us this time, let me know, and I’ll keep you posted regarding the next workshop.
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