“I painted picture upon picture in keeping with the impression made on my eye in a moment of heightened emotion – painted the lines and colours that remained fastened to my inner eye… By painting the colours and lines and shapes I had seen in an emotional state – I wished to recapture the quivering quality of the emotional atmosphere like a phonograph.” – Edvard Munch This. A painting I make is based upon an impression made upon me by the experience of an emotional state. It is to be seen as if listening to a song.
A question I received from a fellow artist:
“I want to sell my images; I have portfolio books, am a shameless self promoter; gallery experience; trade show experience – all I want to do is paint. Who should I introduce myself to? What advice can you give me please?”
This painting is made in collaboration with Layla Love, a photographer and human rights activist. The painting is part of a show in NYC titled ‘Rise of the Butterfly‘.The show aims to raise money and awareness for issues around and the ending of sex slavery and human trafficking.I have a small blurb accompanying the piece. It reads: There’s no pretty way to say this; no way to look away or ignore it. This: a painting born from the sweetness of my studio, speaking to and of unfathomable human despair. But here it is. Here it is. And that despair cuts through it like… READ MORE
“A New Perspective” Acrylic/Canvas 15″ x 22″ A collector of my work, Eben Pagan, commissioned me to paint a portrait of him in my style. I don’t do a lot of portraiture so I enlisted Violet’s help and we worked together on this painting. She is more adept at creating from real life than I am. In that way, we tend to meet in the middle as my approach generally builds up from abstraction. Eben is quite a thinker, parsing different ideas and concepts through his mind in a really brilliant manner. The resulting piece is intended to portray the lens of the mind contemplating a flower and the various ideas and… READ MORE
A preliminary word first: art is not made within a vacuum but is a part of the paths of our lives. This piece about the painting “Only Love Can (Reign Over Me)” is a sensitive and vulnerable bit of writing, and you should know in case you have sensitive vulnerabilities of your own that some challenging topics that involve my wife, Violet, are discussed. But, lest you think I betray her confidence and expose her innards without concern, this was written with consent and in conjunction with her. The best remedy for shadow is to bring it into light. –… READ MORE
I wonder if anyone at an art show in 1900 said “O, look, ANOTHER painting of a woman at a bar.” There’s SO many paintings of a woman at a bar. Woman drinking at a bar. Woman sitting at a table near a bar. Then, sometime in 1945, Max Ernst comes along and says, “Hold my absinthe” and he paints ‘The Cocktail Drinker.” The reason I mention this is you might look out on the artistic landscape and say: o another profile of a face, another soup of abstraction, another… and so on. But these paintings become the visual language… READ MORE
“Yesterday I resumed work. It’s the best way to avoid thinking of these sad times. All the same, I feel ashamed to think about my little researches into form and colour while so many people are suffering and dying…” – Claude Monet. 1914. While working on his water lilies paintings during World War I. I feel like this sometimes. There’s so much going on. There’s this endless stream of chaos beating down my door. Who am I to turn my back on this issue or that issue and “resume my little researches into form and colour” while so much pain… READ MORE
When you decide to be a painter – and I mean the painterly sort who is rendering shapes and objects and emotions – I think it’s important to always remember that you aren’t merely painting a representation of the thing, you are painting THE thing. It’s not a cloud. It’s all your feelings and ideas and archetypes of clouds.
The trick – the secret – to being a successful artist is that – and I’m going to tell you right in the beginning and not make you wade through pages of text and links – and that’s good because no one has time for that because the secret of artists everywhere of all kinds and shapes and sizes is that, first and foremost, you have to
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