Yes, so, on a theme… I’ve been doing more live painting lately. I’ve called myself “The Reluctant Live Painter” although perhaps a more apropos title would be “The Distracted Live Painter”. What can I say: I like parties and sometimes I’d rather be dancing and playing than painting. I spend a lot of time listening to music and painting – completely absorbed by the nuances and colors. Admittedly, parties and events can be a tad noisy for the live painting thing. In any case – I decided on a new flow a while back for painting at events. I wanted to create larger pieces that focused more on rhythm, gesture, and style rather than detail. So much of my work is very detail oriented. It’s very precise and structured, even in it’s looseness. I enjoy flowing and spontaneous brushstrokes and the quick no-thought painting process. I have found that, if i set the space right on the canvas and have a general plan, then it goes really well. In a sense, it’s like jazz music: there is a general form in the beginning but then it’s riffing and exploring and tangentializing on different ideas and melodies. I just want it to end up in the seat of the Divine in the end.
So here is a painting I’ve worked on at a few different events in the past few months. I started it at a Greensector/Moontribe party in February at Area 33 in LA, worked on it at a couple of Artwalks in Downtown LA at Temple of Visions Gallery, and then last worked on it at a party up in Malibu. The painting is based on a drawing I made in 2003 @ my first Burning Man. The theme that year was Beyond Belief and, after I’d spent the night roaming and exploring, I sat down in Center Camp at sunrise to the beautiful sitar music of my friend Rik Shiraj, a master sitar player. I spent the morning drawing to his beautiful music. He passed onwards this past winter and I decided that it was time to finally paint this sketch…
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